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Crisis Chronicles Cyber Litmag (2008-2015)

~ Contemporary Poetry and Literary Classics from Cleveland to Infinity

Crisis Chronicles Cyber Litmag (2008-2015)

Category Archives: Keats (John)

Imitation of Spenser (by John Keats)

07 Thursday Mar 2013

Posted by Crisis Chronicles Press in 1800s, British, Keats (John), Poetry

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keats-1.jpg picture by insightoutside
 

Imitation of Spenser
by John Keats

Now Morning from her orient chamber came,
And her first footsteps touch’d a verdant hill;
Crowning its lawny crest with amber flame,
Silv’ring the untainted gushes of its rill;
Which, pure from mossy beds, did down distill,
And after parting beds of simple flowers,
By many streams a little lake did fill,
Which round its marge reflected woven bowers,
And, in its middle space, a sky that never lowers.

There the king-fisher saw his plumage bright
Vieing with fish of brilliant dye below;
Whose silken fins, and golden scalès light
Cast upward, through the waves, a ruby glow:
There saw the swan his neck of arched snow,
And oar’d himself along with majesty;
Sparkled his jetty eyes; his feet did show
Beneath the waves like Afric’s ebony,
And on his back a fay reclined voluptuously.

Ah! could I tell the wonders of an isle
That in that fairest lake had placed been,
I could e’en Dido of her grief beguile;
Or rob from aged Lear his bitter teen:
For sure so fair a place was never seen,
Of all that ever charm’d romantic eye:
It seem’d an emerald in the silver sheen
Of the bright waters; or as when on high,
Through clouds of fleecy white, laughs the cœrulean sky.

And all around it dipp’d luxuriously
Slopings of verdure through the glossy tide,
Which, as it were in gentle amity,
Rippled delighted up the flowery side;
As if to glean the ruddy tears, it tried,
Which fell profusely from the rose-tree stem!
Haply it was the workings of its pride,
In strife to throw upon the shore a gem
Outvieing all the buds in Flora’s diadem.


* * * * * * *

On Seeing the Elgin Marbles (by John Keats)

02 Wednesday Jun 2010

Posted by Crisis Chronicles Press in 1800s, British, Keats (John), Writing

≈ 1 Comment

keats-1.jpg picture by insightoutside

On Seeing the Elgin Marbles
by John Keats

My spirit is too weak — mortality
Weighs heavily on me like unwilling sleep,
And each imagined pinnacle and steep
Of godlike hardship tells me I must die
Like a sick eagle looking at the sky.
Yet 'tis a gentle luxury to weep,
That I have not the cloudy winds to keep,
Fresh for the opening of the morning's eye.
Such dim-conceived glories of the brain
Bring round the heart an indescribable feud;
So do these wonders a most dizzy pain,
That mingles Grecian grandeur with the rude
Wasting of old Time — with a billowy main —
A sun — a shadow of a magnitude.


* * *

   

The Grave of Keats (by Oscar Wilde)

08 Monday Mar 2010

Posted by Crisis Chronicles Press in 1800s, British, Keats (John), Wilde (Oscar), Writing

≈ 8 Comments

Photobucket

The Grave of Keats
by Oscar Wilde (1881)

Rid of the world’s injustice, and his pain,
  He rests at last beneath God’s veil of blue:
  Taken from life when life and love were new
The youngest of the martyrs here is lain,
Fair as Sebastian, and as early slain.
  No cypress shades his grave, no funeral yew,
  But gentle violets weeping with the dew
Weave on his bones an ever-blossoming chain.
O proudest heart that broke for misery!
  O sweetest lips since those of Mitylene!
  O poet-painter of our English Land!
Thy name was writ in water—it shall stand:
  And tears like mine will keep thy memory green,
  As Isabella did her Basil-tree.

      Rome

* * *

   

Ode to a Nightingale (by John Keats)

30 Friday Oct 2009

Posted by Crisis Chronicles Press in 1800s, British, Keats (John), Writing

≈ 1 Comment

keats-1.jpg picture by insightoutside

Ode to a Nightingale
by John Keats
first published in Annals of the Fine Arts, July 1819

1.

My heart aches, and a drowsy numbness pains
  My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
  One minute past, and Lethe-wards had sunk:
’Tis not through envy of thy happy lot,
  But being too happy in thine happiness,—
    That thou, light-winged Dryad of the trees,
          In some melodious plot
  Of beechen green, and shadows numberless,
    Singest of summer in full-throated ease.

2.

O, for a draught of vintage! that hath been
  Cool’d a long age in the deep-delved earth,
Tasting of Flora and the country green,
  Dance, and Provencal song, and sunburnt mirth!
O for a beaker full of the warm South,
  Full of the true, the blushful Hippocrene,
    With beaded bubbles winking at the brim,
          And purple-stained mouth;
  That I might drink, and leave the world unseen,
    And with thee fade away into the forest dim:

3.

Fade far away, dissolve, and quite forget
  What thou among the leaves hast never known,
The weariness, the fever, and the fret
  Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
  Where youth grows pale, and spectre-thin, and dies;
    Where but to think is to be full of sorrow
          And leaden-eyed despairs,
  Where Beauty cannot keep her lustrous eyes,
    Or new Love pine at them beyond to-morrow.

4.

Away! away! for I will fly to thee,
  Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
  Though the dull brain perplexes and retards:
Already with thee! tender is the night,
  And haply the Queen-Moon is on her throne,
    Cluster’d around by all her starry Fays;
          But here there is no light,
  Save what from heaven is with the breezes blown
    Through verdurous glooms and winding mossy ways.

5.

I cannot see what flowers are at my feet,
  Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
  Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
  White hawthorn, and the pastoral eglantine;
    Fast fading violets cover’d up in leaves;
          And mid-May’s eldest child,
  The coming musk-rose, full of dewy wine,
    The murmurous haunt of flies on summer eves.

6.

Darkling I listen; and, for many a time
  I have been half in love with easeful Death,
Call’d him soft names in many a mused rhyme,
  To take into the air my quiet breath;
Now more than ever seems it rich to die,
  To cease upon the midnight with no pain,
    While thou art pouring forth thy soul abroad
          In such an ecstasy!
  Still wouldst thou sing, and I have ears in vain—
    To thy high requiem become a sod.

7.

Thou wast not born for death, immortal Bird!
  No hungry generations tread thee down;
The voice I hear this passing night was heard
  In ancient days by emperor and clown:
Perhaps the self-same song that found a path
  Through the sad heart of Ruth, when, sick for home,
    She stood in tears amid the alien corn;
          The same that oft-times hath
  Charm’d magic casements, opening on the foam
    Of perilous seas, in faery lands forlorn.

8.

Forlorn! the very word is like a bell
  To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
  As she is fam’d to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
  Past the near meadows, over the still stream,
    Up the hill-side; and now ’tis buried deep
          In the next valley-glades:
  Was it a vision, or a waking dream?
    Fled is that music:—Do I wake or sleep?


* * *

   

Ode on a Grecian Urn (by John Keats)

22 Sunday Feb 2009

Posted by Crisis Chronicles Press in 1800s, British, Keats (John), Writing

≈ 1 Comment



keats-1.jpg picture by insightoutside
John Keats

Ode on a Grecian Urn


Thou still unravished bride of quietness,
      Thou foster child of silence and slow time,
Sylvan historian, who canst thus express
      A flowery tale more sweetly than our rhyme:
What leaf-fringed legend haunts about thy shape
      Of deities or mortals, or of both,
            In Tempe or the dales of Arcady?
What men or gods are these? What maidens loath?
      What mad pursuit? What struggle to escape?
            What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
      Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endeared,
      Pipe to the spirit dities of no tone.
Fair youth, beneath the trees, thou canst not leave
      Thy song, nor ever can those trees be bare;
            Bold Lover, never, never canst thou kiss,
Though winning near the goal—yet, do not grieve;
      She cannot fade, though thou hast not thy bliss
            Forever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
      Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unweari-ed,
      Forever piping songs forever new;
More happy love! more happy, happy love!
      Forever warm and still to be enjoyed,
            Forever panting, and forever young;
All breathing human passion far above,
      That leaves a heart high-sorrowful and cloyed,
            A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
      To what green altar, O mysterious priest,
Lead’st thou that heifer lowing at the skies,
      And all her silken flanks with garlands dressed?
What little town by river or sea shore,
      Or mountain-built with peaceful citadel,
            Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
      Will silent be; and not a soul to tell
            Why thou art desolate, can e’er return.

O Attic shape! Fair attitude! with brede
      Of marble men and maidens overwrought,
With forest branches and the trodden weed;
      Thou, silent form, dost tease us out of thought
As doth eternity. Cold Pastoral!
      When old age shall this generation waste,
            Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say’st,
      “Beauty is truth, truth beauty”—that is all
            Ye know on earth, and all ye need to know.


[1820]


* * *

   

Sonnet to Sleep (by John Keats)

12 Monday Jan 2009

Posted by Crisis Chronicles Press in 1800s, British, Keats (John), Writing

≈ 2 Comments



John Keats

Sonnet to Sleep

O soft embalmer of the still midnight,
    Shutting with careful fingers and benign
Our gloom-pleas’d eyes, embower’d from the light,
    Enshaded in forgetfulness divine:
O soothest Sleep! if so it please thee, close,
    In the midst of this thine hymn, my willing eyes,
Or wait the Amen ere thy poppy throws
    Around my bed its lulling charities.
Then save me or the passed day will shine 
    Upon my pillow, breeding many woes;
Save me from curious conscience, that still hoards
    Its strength for darkness, burrowing like the mole;
Turn the key deftly in the oiled wards,
    And seal the hushed casket of my soul.


[written in April 1819]


* * *

   

When I Have Fears That I May Cease To Be (by John Keats)

03 Monday Nov 2008

Posted by Crisis Chronicles Press in 1800s, British, Keats (John), Writing

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John Keats

When I have fears that I may cease to be
    Before my pen has glean’d my teeming brain,
Before high-piled books, in charactery,
    Hold like rich garners the full ripen’d grain;
When I behold, upon the night’s starr’d face,
    Huge cloudy symbols of a high romance,
And think that I may never live to trace
    Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour,
    That I shall never look upon thee more,
Never have relish in the faery power
    Of unreflecting love;—then on the shore
Of the wide world I stand alone, and think
Till love and fame to nothingness do sink.
 


[written in 1818]


* * *

To Hope (by John Keats)

03 Monday Nov 2008

Posted by Crisis Chronicles Press in 1800s, British, Keats (John), Writing

≈ 2 Comments



John Keats

When by my solitary hearth I sit,
When no fair dreams before my – mind’s eye – flit,
And the bare heath of life presents no bloom;
Sweet Hope, ethereal balm upon me shed,
And wave thy silver pinions o’er my head.

Whene’er I wander, at the fall of night,
Where woven boughs shut out the moon’s bright ray,
Should sad Despondency my musings fright,
And frown, to drive fair Cheerfulness away,
Peep with the moon-beams through the leafy roof,
And keep that fiend Despondence far aloof.

Should Disappointment, parent of Despair,
Strive for her son to seize my careless heart;
When, like a cloud, he sits upon the air,
Preparing on his spell-bound prey to dart:
Chase him away, sweet Hope, with visage bright,
And fright him as the morning frightens night!

Whene’er the fate of those I hold most dear
Tells to my fearful breast a tale of sorrow,
O bright-eyed Hope, my morbid fancy cheer;
Let me awhile thy sweetest comforts borrow:
Thy heaven-born radiance around me shed,
And wave thy silver pinions o’er my head!

Should e’er unhappy love my bosom pain,
From cruel parents, or relentless fair;
O let me think it is not quite in vain
To sigh out sonnets to the midnight air!
Sweet Hope, ethereal balm upon me shed,
And wave thy silver pinions o’er my head!

In the long vista of the years to roll,
Let me not see our country’s honour fade:
O let me see our land retain her soul,
Her pride, her freedom; and not freedom’s shade.
From thy bright eyes unusual brightness shed –
Beneath thy pinions canopy my head!

Let me not see the patriot’s high bequest,
Great Liberty! how great in plain attire!
With the base purple of a court oppress’d,
Bowing her head, and ready to expire:
But let me see thee stoop from heaven on wings
That fill the skies with silver glitterings!

And as, in sparkling majesty, a star
Gilds the bright summit of some gloomy cloud;
Brightening the half veil’d face of heaven afar:
So, when dark thoughts my boding spirit shroud,
Sweet Hope, celestial influence round me shed,
Waving thy silver pinions o’er my head.

February, 1815.


* * *

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